Gwen Stefani has defended her Harajuku era, which began with the release of her album "Love. Angel. Music. Baby" in 2004, amidst accusations of cultural appropriation. The era, characterized by its Japanese-influenced artwork and marketing, featured Stefani accompanied by four Japanese backup dancers known as the "Harajuku Girls." In a recent interview with Allure magazine, Stefani stood by her Harajuku era, stating that her interest in Japanese culture was influenced by her father's connection to Japan and his work at Yamaha. She expressed her fascination with Japanese traditions, art, and discipline.
Stefani also shared that she wasn't aware of her Japanese heritage until she visited the Harajuku district as an adult, calling herself a "super fan" of Japanese culture. Responding to criticism, Stefani defended her admiration for other cultures, stating that being inspired by different cultures should be allowed, as it fosters creativity and unity. Stefani also identified with Hispanic, Latinx, and Orange County cultures due to her upbringing in Anaheim, California. The interview caused confusion, as Stefani's representatives declined to clarify her comments when asked by Allure and Variety.
